Vol. 9 No. 1 (2023): Performing the Book of Esther in Early Modern Europe

Edited by Chanita Goodblatt

Published: 2023-06-28

Full Issue

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Monographic Section

• Introduction

  Chanita Goodblatt

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• The Genesis of Modena’s L’Ester: Sources and Paratext

  Susan Payne

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• Modena's L'Ester: a Venetian-Jewish Play in Early Modern Europe

  Chanita Goodblatt

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• Reading L'Ester by Leon of Modena in the Context of His Other Writings

  Vered Tohar

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• Queen Esther in Venice: Art and Drama

  Nirit Ben-Aryeh Debby

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• Vashti On the French Stage

  Tovi Bibring

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• The Feast as Performance: Esther in Sixteenth-Century German Plays

  Cora Dietl

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• Esther in the Drama of the Early Modern Low Countries

  Wim Husken

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Miscellany

• “Becoming as savage as a bull because of penalties not to be paid with money”: Orestes’ Revenge and the Ethics of Retaliatory Violence

  Luca Fiamingo

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• Cassandra as a False Chorus and Her Skeuê in Euripides’ Trojan Women

  Vasiliki Kousoulini

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Special Section

• Vayos Liapis, Avra Sidiropoulou, eds. Adapting Greek Tragedy: Contemporary Contexts for Ancient Texts

  Gherardo Ugolini

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• William N. West. Common Understandings, Poetic Confusion: Playhouses and Playgoers in Elizabethan England

  Eric Nicholson

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• Catharsis at the Bekka. Mariacristina Cavecchi, Lisa Mazoni, Margaret Rose, and Giuseppe Scutellà’s SceKspir al BeKKa

  Yvonne Bezrucka

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• The Role of Digital Storytelling in Educational Uses When Staging Shakespeare: a Case Study of a Lecture Performance – Gamlet (Hamlet)

  Petra Bjelica

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