Skenè. Journal of Theatre and Drama Studies

Current Issue

Vol. 10 No. 2 (2024): Memory and Performance. Classical Reception in Early Modern Festivals

View Vol. 10 No. 2 (2024): Memory and Performance. Classical Reception in Early Modern Festivals

Published: 2024-12-31

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Monographic Section

Introduction. (Mis)Remembering Greece and Rome in Early Modern Performance

Giovanna Di Martino
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Adding and Subtracting: Plautine Volgarizzamenti at the Este Court and the Case of Girolamo Berardo

Nicola Bonazzi
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A Capricious Tragedy: Anello Paulilli's Plastic Memory in the Performance of The Fire of Troy (L'Incendio di Troia, 1566)

Anne Morvan Morvan
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Horestes “and a Tragedie of the kinge of Scottes”: Theatre and Politics at Elizabeth’s Court

Francesco Dall'Olio
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Aristotle’s Presence in Opera Between Theory and Practice. A Case Study: Girolamo Frigimelica Roberti’s Ercole in cielo

Giovanna Casali
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Roman Theatre in Greek, Greek Theatre in Italian: Dramatic Performance as a Vehicle of Latin-Greek Contact in the Early Modern Ionian Islands

Christopher Jotischky
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A Funeral and a Marriage at the Moretuses (1640s): Ceremonial Greek in the Early Modern Low Countries

Raf Van Rooy
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Dionysus and the Youth Between Academia and the Polis: Rethinking the Intersections of Scholarship, Performance-Based Research, and Pedagogy

Eugenio Refini, Francesca Bortoletti
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Practice Research, Performance Pedagogy, and Early Modern Aristophanes: Building (on) the Script(s)

Giovanna Di Martino
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Miscellany

Famous Last Words: the Rhetoric of Death and Dying in Shakespeare

David Lucking
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Tragic Actress and Human Voice. Maria Callas in Ifigenia in Tauride Directed by Luchino Visconti

Raffaella Viccei
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Bakhtin vs Shakespeare?

David Schalkwyk
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Special Section

Excellent Suicides. Ajax and Phaedra at the Greek Theatre of Syracuse

Gherardo Ugolini
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Monica Cristini, La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

Peter Eckersall
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The Fire Within: Cenere by Stefano Fortin and Giorgina Pi (Biennale Teatro 2024)

Sotera Fornaro
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