An Appointment with Japanese Noh Theatre in Verona and Milan
DOI:
https://doi.org/10.13136/c163y602Abstract
Noh theatre has the potential to influence world theatre of the future with its pantomime, theatricality and its grotesquery. Some aspects of this ancient Japanese theatre stray far from realism and are particularly interesting, especially in relation to European modernism. Noh theatre is a synthesis of stage genres combined with a unique stylisation of acting. Zeami (1363-1443) succeeded in developing the doctrine of the actor’s skill and to create the illusory artistic drama Mugen-Noh. What is interesting in Noh theatre is that to improve the quality of the performance, theatre operators always tried to create an ideal.
Keywords: Noh theatre; theatricality; grotesquery; pantomime; mask; imitation; method of acting
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Skenè. Journal of Theatre and Drama Studies
This work is licensed under a Creative Commons Attribution 4.0 International License.
Open Access Policy
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
This Journal is a CC-BY 4.0 publication (https://creativecommons.org/licenses/by/4.0/). This Licence allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this Journal, providing a link to the Licence and explicitly underlining any change (full mention of Issue number, year, pages and DOI is required).
- The Author retains (i) the rights to reproduce, to distribute, to publicly perform, and to publicly display the Article in any medium for any purpose; (ii) the right to prepare derivative works from the Article; and (iii) the right to authorise others to make any use of the Article so long as the Author receives credit as Author and the Journal in which the Article has been published are cited as the source of first publication of the Article. For example, the Author may make and distribute copies in the course of teaching and research and may post the Article on personal or institutional Web sites and in other open-access digital repositories.
- The Author is free to enter into separate, additional contractual arrangements for the non-exclusive distribution of the Journal’s published version of the work, with an acknowledgement of its initial publication in this Journal and explicitly underlining any change (full mention of Issue number, year, pages and DOI is required).
- The Author is permitted and encouraged to post their work online after the evaluation process has been successfully passed, as it can lead to productive exchanges as well as to a wider dissemination of the published work.
