Vol. 5 No. 2 (2019)

View Vol. 5 No. 2 (2019)

Published: 2019-12-31

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Miscellany

Athenian Power: Seven Against Thebes and the Democracy-in-Arms

Manuela Giordano

5-18
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Restraining her Song and Saving the Oikos? Nurses in Euripides’ Medea, Hippolytus, and Andromache

Vasiliki Kousoulini

19-42
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A Liar Tells the Truth: the Dramatic Function of the Vice in Cambises

Francesco Dall'Olio

43-64
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King Lear: Everything Comes of Nothing and the Great Stage of Fools

Elena Pellone

65-80
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Replacing the Romantic Plantation: Horton Foote’s Dramatic Engagement from Gone with the Wind (The Musical) to Convicts

Robert William Haynes

81-100
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Erase and Rewrite. Ancient Texts, Modern Palimpsests

Martina Treu

101-126
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Special Section

Emanuel Stelzer, Portraits in Early Modern English Drama: Visual Culture, Play-Texts, and Performances, Abingdon and New York: Routledge

Camilla Caporicci

127-132
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Roberta Mullini, Parlare per non farsi sentire. L’a parte nei drammi di Shakespeare, Roma: Bulzoni

Maria Elisa Montironi

133-138
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Tradition and Revolution in Scottish Drama and Theatre: An Open Debate?

Gioia Angeletti

139-148
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Dirk Gindt, Tennessee Williams in Sweden and France, 1945-1965. Cultural Translations, Sexual Anxieties and Racial Fantasies, London and New York: Methuen

Alessandro Clericuzio

149-154
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Women Against War. The Trojan Women, Helen, and Lysistrata at Syracuse

Gherardo Ugolini

155-172
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