Vol. 7 No. 1 (2021): Virtual Theatre

View Vol. 7 No. 1 (2021): Virtual Theatre

Edited by Sidia Fiorato

Published: 2021-06-30

Full Issue

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Monographic Section

Introduction Intermediality and Virtuality in Performance. A Reflection on Twenty-First Century Mediaturgy

Sidia Fiorato
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What Does Virtual Actually/Really Mean?

Susan Payne
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Permission/Seduction/Indulgence Integrating Digital Media in the Theatre-Making Process

Avra Sidiropoulou
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Connections A Virtual Theatre Experiment in a Medieval Village

Simona Brunetti
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The Virtual

Rinde Eckert
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Performing/Watching Artificial Intelligence On Stage

Antonio Pizzo
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Miscellany

The First Greek Tragedy Printed in England Some Textual and Typographical Notes

Marco Duranti
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Unmotherly Love: the Medea Model in Mary Sidney's Antonius

Roberta Zanoni
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Samuel Beckett on Italian Stages. Intermedial Performances Inspired by his Prose and Poems

Grazia D'Arienzo
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‘Homer’ Tackles Aeschylus Theatrical Adaptation as Process in Anne Washburn’s Mr Burns and Robert Icke’s Oresteia

Alison Middleton
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Special Section