Vol. 10 No. 2 (2024): Memory and Performance. Classical Reception in Early Modern Festivals

Published: 2024-12-31

Full Issue

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Monographic Section

• Introduction.  (Mis)Remembering Greece and Rome in Early Modern Performance

  Giovanna Di Martino

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• Adding and Subtracting: Plautine Volgarizzamenti at the Este Court and the Case of Girolamo Berardo

  Nicola Bonazzi

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• A Capricious Tragedy: Anello Paulilli's Plastic Memory in the Performance of The Fire of Troy (L'Incendio di Troia, 1566)

  Anne Morvan Morvan

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• Horestes “and a Tragedie of the kinge of Scottes”: Theatre and Politics at Elizabeth’s Court

  Francesco Dall'Olio

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• Aristotle’s Presence in Opera Between Theory and Practice. A Case Study: Girolamo Frigimelica Roberti’s Ercole in cielo

  Giovanna Casali

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• Roman Theatre in Greek, Greek Theatre in Italian: Dramatic Performance as a Vehicle of Latin-Greek Contact in the Early Modern Ionian Islands

  Christopher Jotischky

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• A Funeral and a Marriage at the Moretuses (1640s): Ceremonial Greek in the Early Modern Low Countries

  Raf Van Rooy

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• Dionysus and the Youth Between Academia and the Polis: Rethinking the Intersections of Scholarship, Performance-Based Research, and Pedagogy

  Eugenio Refini, Francesca Bortoletti

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• Practice Research, Performance Pedagogy, and Early Modern Aristophanes: Building (on) the Script(s)

  Giovanna Di Martino

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Miscellany

• Famous Last Words: the Rhetoric of Death and Dying in Shakespeare

  David Lucking

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• Tragic Actress and Human Voice. Maria Callas in Ifigenia in Tauride Directed by Luchino Visconti

  Raffaella Viccei

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• Bakhtin vs Shakespeare?

  David Schalkwyk

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Special Section

• Excellent Suicides. Ajax and Phaedra at the Greek Theatre of Syracuse

  Gherardo Ugolini

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• Monica Cristini, La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

  Peter Eckersall

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• The Fire Within: Cenere by Stefano Fortin and Giorgina Pi (Biennale Teatro 2024)

  Sotera Fornaro

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