Afterword

Authors

  • Robert Stagg Shakespeare Institute / St Anne's College, Oxford

DOI:

https://doi.org/10.13136/sjtds.v7i2.351

Abstract

This afterword begins by returning the title of this collection to its origins in Philip Sidney’s Defence of Poesy (1595) and then ruminates on the problems and questions raised by its contributors. It concludes by wondering whether blank verse can be thought of as a kind of classical metre on the early modern English stage.

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Published

2021-12-31

Issue

Vol. 7 No. 2 (2021): Well-Staged Syllables. From Classical to Early Modern English Metres in Drama

Section

Monographic Section

License

Copyright (c) 2021 Skenè. Journal of Theatre and Drama Studies

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