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Vol. 9 No. 1 (2023): Performing the Book of Esther in Early Modern Europe
Vol. 9 No. 1 (2023): Performing the Book of Esther in Early Modern Europe
Edited by Chanita Goodblatt
Published:
2023-06-28
Full Issue
PDF
Monographic Section
Introduction
Chanita Goodblatt
PDF
The Genesis of Modena’s L’Ester: Sources and Paratext
Susan Payne
PDF
Modena's L'Ester: a Venetian-Jewish Play in Early Modern Europe
Chanita Goodblatt
PDF
Reading L'Ester by Leon of Modena in the Context of His Other Writings
Vered Tohar
PDF
Queen Esther in Venice: Art and Drama
Nirit Ben-Aryeh Debby
PDF
Vashti On the French Stage
Tovi Bibring
PDF
The Feast as Performance: Esther in Sixteenth-Century German Plays
Cora Dietl
PDF
Esther in the Drama of the Early Modern Low Countries
Wim Husken
PDF
Miscellany
“Becoming as savage as a bull because of penalties not to be paid with money”: Orestes’ Revenge and the Ethics of Retaliatory Violence
Luca Fiamingo
PDF
Cassandra as a False Chorus and Her Skeuê in Euripides’ Trojan Women
Vasiliki Kousoulini
PDF
Special Section
Vayos Liapis, Avra Sidiropoulou, eds. Adapting Greek Tragedy: Contemporary Contexts for Ancient Texts
Gherardo Ugolini
PDF
William N. West. Common Understandings, Poetic Confusion: Playhouses and Playgoers in Elizabethan England
Eric Nicholson
PDF
Catharsis at the Bekka. Mariacristina Cavecchi, Lisa Mazoni, Margaret Rose, and Giuseppe Scutellà’s SceKspir al BeKKa
Yvonne Bezrucka
PDF
The Role of Digital Storytelling in Educational Uses When Staging Shakespeare: a Case Study of a Lecture Performance – Gamlet (Hamlet)
Petra Bjelica
PDF
Language
English
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