Vol. 4 No. 1 (2018): Transitions – For Alessandro Serpieri

Skenè 4.1 cover

Edited by Silvia Bigliazzi

Published: 2018-05-29

Full Issue

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The Editors

Preface

Silvia Bigliazzi
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Collaborating with Euripides: Actors and Scholars Improve the Drama Text

Guido Avezzù
Onstage/Offstage (Mis)Recognitions in The Winter’s Tale

Silvia Bigliazzi
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Miscellany

Hamlet and the Android: Reading Emotions in Literature

Angela Locatelli
A Momaria and a Baptism: A Note on Beginning and Ending in the Globe Merchant of Venice (2015)

Roberta Mullini
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The Duchess of Malfi: When a Woman-Prince Can Talk

Clara Mucci
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Felicia Hemans’s History in Drama: Gender Subjectivities Revisited in The Vespers of Palermo

Lilla Maria Crisafulli
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Shakespeare in One Act. Looking for Ophelia in the Italian Wartime Context

Maria Del Sapio Garbero
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Italian alternative Shakespeares. Carmelo Bene’s appropriation of Hamlet

Fernando Cioni
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"The trouble with tragedy is the fuss it makes": Reading Beckett's Not I as the (non)End of Tragedy

Carla Locatelli
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Special Section

Nashe's (Self-)Portrait of a Town

Valerio Viviani
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Is Hamlet’s Madness True or Faked?

Guido Paduano
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Hamlet: Origin Displaced

Rosy Colombo
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À propos of King Lear in the New Italian Translation and Edition by Alessandro Serpieri (Venezia, Marsilio, 2018)

Claudia Corti
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A Double Dovere/Diletto: Using Alessandro Serpieri’s Translations for Bilingual Productions of Shakespeare’s Plays

Eric Nicholson
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Eros in Shakespeare

Keir Douglas Elam, Alessandro Serpieri
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Intervista a Prospero Interview with Prospero

Pino Colizzi, Alessandro Serpieri
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Ouverture

Alessandro Serpieri
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Qualche parola per Sandro A Few Words for Sandro

Tomaso Kemeny
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